Concept paintings for Wirt and Greg’s hometown. I tried to emphasize the unnatural light for this episode to contrast with the all natural lighting in the Unknown. I gave every window a blue light as though there’s a TV set in every room.
Here’s a background tutorial that was intended to hand out to the painters on Over the Garden Wall…I’m actually not sure if I ever did (maybe German or Levon can chime in on this) Anyway, I whipped this up super fast in the early days of pre-production and it might be of interest or help to some aspiring digital painters out there.
EDIT: It was just pointed out to me that there’s a missing step 8…that was a typo in the original document…sorry about that.
One thing I really adore about Tom King’s Batman (This is from I Am Gotham with David Finch) is that he takes the Moore/Miller “Isn’t Batman craaaaaazyyyyyy” approach and then flips it on its head, showing the repetition and the obsession, the unhealthy coping mechanisms, and then asks the simple question, why are they unhealthy? They kept him alive, kept him together, helped him become a better person, didn’t they? It takes the mentally ill aspect of Batman’s character and separates it, utterly, from the “Sociopathic villain” perception it seemed to go hand in hand with, explaining that, yes, Batman can be mentally ill, and yes, Batman can still then be an inherently, unambiguously good person
